At the Ref Desk (11/7/19): Everyone who watched the morning news has come over to ask if that was me on TV. [more...]
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Television

Interview with WGN-TV

Submitted by Leo Klein on Wed, 11/6/19 (10:36pm)

Tuesday, Nov. 5th, 2019 was an important day -- or rather important evening. It was when WGN-TV broadcast the interview with me [link here] produced by the excellent reporter, Erik Runge. The actual interview took place a few days earlier at the DePaul Library.

The topic was my experience in West Berlin both before and after the Wall came down. The segment also included other witnesses both here and in Berlin. The fact that the reporter included so many other photos of me -- from my days in Paris to a shot of me in lederhosen at 4 years old holding on to Mayor Daley -- made the whole thing seem so much like a personal biography.

That said, I truly appreciate how the reporter let me have the last word. For so long the east side of Berlin was a symbol of oppression while the west side observed tolerance and liberty. It truly was a triumph of democracy -- something I shall never forget.

Update: Erik Runge and the good people at WGN-TV aired a follow-up segment on Thursday evening. The title was, "Lessons from the Fall of the Berlin Wall Still Ring True, 30 Years Later" [link here]. As the title suggests, the piece looks at the lessons from this period together with what people born afterwards think about it. My own comment which they include was to agree that lessons were drawn but that people can forget them -- if only (one hopes) temporarily.

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Billboard: Color TV Film Won't Oust B&W (1953)

Submitted by Leo Klein on Wed, 2/13/13 (7:46pm)

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Tint Talk : Color TV Film Won't Oust B&W

HOLLYWOOD, July 11. -- Like motion pictures, television will continue to use a great amount of black and white film even when color becomes a regular feature in the new medium. This is the opinion expressed by veteran TV producer Jerry Fairbanks prior to his departure for Europe where he's filming a public relations film for Miller Brewing Company.

Expense of filming in color and the superiority of black and white for certain types of productions are the factors which will dictate use of b.&w. for TV, Fairbanks declared. Fairbanks cited the motion picture industry's predominant use of black and white film despite the advent of color.

Color filming is between 25 and 35 per cent more expensive than b.&w., Fairbanks pointed out, while color release prints are between four and five times as expensive. This factor, in addition to what he termed the superiority of b.&w. for low key mystery dramas, will limit the application of color film for showing on television.

"[Source: Tint Talk: Color TV Film Won't Oust B&W", Billboard (7/18/1953): p. 12.]